Paper title |
SIMULATING IDIOMATIC PLAYING STYLES IN A CLASSICAL GUITAR SYNTHESIZER: RASGUEADO AS A CASE STUDY
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Authors |
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Abstract |
This paper presents our research efforts to synthesize complex instrumental
gestures using a score-based control scheme. Our specific
goal is to simulate the rasgueado technique that is popular especially
in flamenco music. This technique is also used in the classical
guitar repertoire. Rasgueado is especially challenging as ordinary
music notation is not adequate to represent the dense stream
of notes required for a convincing simulation. We will take two
approaches to realize our task. First, we use the practical knowledge
of how the actual performance is accomplished by the human
player. A second, complementary, approach is to analyze an excerpt
from real guitar playing. Our main focus here is to extract
the onset times and the amplitudes of the recoded gesture. Next we
combine the results from the two analysis steps using a constraintbased
approach to find possible pitch and fingering sequences. Finally
we translate the findings to our macro-note scheme that allow
us to fill algorithmically a musical score.
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Presented at |
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Full paper |
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Sound samples |
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Rasqueado style |
Rasgueado (also called Rajeo, Rasgueo or Rasgeo in Andalusian dialect and Flamenco jargon) is a guitar finger strumming technique commonly associated with flamenco guitar music. It is also used in classical and other fingerstyle guitar picking techniques. The rasgueado is executed using the fingers of the strumming hand in rhythmically precise, and often rapid, strumming patterns. (see http://en.wikipedia.org/wiki/Rasgueado for more details)
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