SOUND SAMPLES OF RASGUEADO SYNTHESIS WITH A MODEL-BASED CLASSICAL GUITAR SYNTHESIZER

Paper title
SIMULATING IDIOMATIC PLAYING STYLES IN A CLASSICAL GUITAR SYNTHESIZER: RASGUEADO AS A CASE STUDY
Authors
Mikael Laurson (1), Vesa Välimäki (1), and Henri Penttinen (1)
(1) Department of Signal Processing and Acoustics, Aalto University Espoo, Finland
Abstract
This paper presents our research efforts to synthesize complex instrumental gestures using a score-based control scheme. Our specific goal is to simulate the rasgueado technique that is popular especially in flamenco music. This technique is also used in the classical guitar repertoire. Rasgueado is especially challenging as ordinary music notation is not adequate to represent the dense stream of notes required for a convincing simulation. We will take two approaches to realize our task. First, we use the practical knowledge of how the actual performance is accomplished by the human player. A second, complementary, approach is to analyze an excerpt from real guitar playing. Our main focus here is to extract the onset times and the amplitudes of the recoded gesture. Next we combine the results from the two analysis steps using a constraintbased approach to find possible pitch and fingering sequences. Finally we translate the findings to our macro-note scheme that allow us to fill algorithmically a musical score.
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Full paper
Sound samples


Rasqueado style
Rasgueado (also called Rajeo, Rasgueo or Rasgeo in Andalusian dialect and Flamenco jargon) is a guitar finger strumming technique commonly associated with flamenco guitar music. It is also used in classical and other fingerstyle guitar picking techniques. The rasgueado is executed using the fingers of the strumming hand in rhythmically precise, and often rapid, strumming patterns. (see http://en.wikipedia.org/wiki/Rasgueado for more details)

 

http://www.acoustics.hut.fi/publications/papers/dafx10-rasqueado/
Authors: Henri Penttinen, Vesa Välimäki, Mikael Laurson
Modified: 23.06.2010, Henri Penttinen

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